The Global Plantation Series: Curated Conversations about the legacies and representations of the plantation
Read MoreEdward Mitchell Bannister, Jamestown, Rhode Island, 1887, oil on canvas
Read MoreCurrently on view at the African American Museum in Philadelphia is a fantastic exhibition called Cotton: The Soft, Dangerous Beauty of the Past.
Read MoreIn November I had the opportunity to travel to Edinburgh where I attended a symposium called Black Atlantic Authorship and Art, 1818-2018.
Read MoreVictorian Jamaica, published by Duke University Press, is out! Congratulations and thank you Tim Barringer and Wayne Modest for patiently seeing this through to the end! I was so honoured to be asked to contribute an essay on photography and South Asian indentured labor.
Read MoreIn June I travelled to Sicily to attend Resignifications: Black Mediterranean, a conference held at the University of Palermo from June 6-9. Making the most of the geography of Sicily and its physical and conceptual proximity to the African continent, the conference brought a unique community of artists, activists and scholars together to discuss, collaborate and dream.
Read MoreReturning home to Perth is always a pleasure. This August I’ll be heading back to Western Australia (after a couple of lectures and talks at the University of Sydney and Deakin University in Melbourne), to deliver a public lecture and teach a Masterclass at my beautiful alma mater, the University of Western Australia.
Read MoreEighteenth- and nineteenth-century African diasporic artists inhabited complex aesthetic and social worlds, and this new book will illuminate the complex historical conditions of being a Black diasporic artist during this period and bring attention to how such conditions informed the work these artists produced.
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